I was in school for computer science seven years ago. I got back into watching anime and started digging to understand what was behind the shows; that's when I found out it all originally came from Manga.

This discovery was the turning point. To be honest, it was at first to test stories and create characters and universes. I loved the world-building aspect. I thought about many possibilities before, like books or novels, but I realized that for me personally, drawing was the best way to express my ideas.

When I was studying computer science, the works that inspired me to create my own Manga were by two French authors.

The first is Reno Lemaire, the creator of "Dreamland", with whom I work on "Free Quest" now. I knew French Manga existed because of him. The other author is Tony Valente, who writes "Radiant". For the art side of their works, I sensed more Japanese sensibilities, but I also felt like there were some parts that drew from the European or American side.

Later, as I read more Japanese Manga, I found many inspirations there too. For the story side, I was very inspired by "Chainsaw Man" and "Attack on Titan". For the artwork, "My Hero Academia" and "Fire Force".

I always think about the characters first. That is my main concern throughout the story. If they are not appealing or notable, I don't think I'm writing a good story.

The word would be "Emotions."

I try to put as much of myself in the story as possible to make sure the Manga is mine. Drawing Manga is not my ultimate goal; my goal is to create emotions in readers around the world.

First, I wanted to reach a global audience, and I thought MANGA Plus Creators was the best international platform for that.

Second, Little Monster was a personal project for myself. In France, when you have a publisher, they have a word during the creation process of your project. I posted it on this platform because I could publish without constraints.

I was finishing a hard deadline for my third volume of "Free Quest". When I saw the email, I initially thought it was just a simple notification or mention, so I didn't think much of it.

When I reread it, I was shocked. I never thought it was possible to win the Gold Award. I felt really thankful, but a part of me thought it was a mistake at first.

Since my initial goal was to be published in France, I thought my stories would only speak to a French audience. I didn't think it would reach a wider audience.

If I told my younger self something, it would be: "Your stories can resonate with a worldwide audience."

In addition to the international aspect, the possibility that a Japanese editor could come across my work was a great opportunity. I value feedback a lot, even from readers.
Getting both feedback motivated me.

I didn't have any particular plans, but now that I've been given the opportunity to be published on MANGA Plus by SHUEISHA and Jump+, if "Little Monster" resonates with the Japanese audience, I am open to the idea of a sequel.

As long as I can make a living out of my work and spend my time drawing and writing stories, I don't have particular ambitions. Although, I wish for my works to be easily accessible and discovered by as many people as possible.